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A festival première of the film ‘In-Laws 3’ at BellaTOFIFEST IFF!
We’ve already had two weddings. This means we’re in for a christening. The favourite film characters loved so much by Polish cinema enthusiasts come back in the already third instalment of this great cinema blockbuster. Feel invited to come and see the festival première of the comedy ‘In-Laws 3’ More »
Dziadku, wiejemy! – A family meeting with Jan Peszek and Olga Chajdas at the BellaTOFIFEST IFF!
Summertime is meant for adventures, travelling, and using imagination. But it is even beyond little Jagoda to think that her imagination combined with the temper of her grandpa Jeremi will take them as far as to a meeting with a dragon! More »
The début film ‘Bałtyk’ from Iga Lis to be screened at the BellaTOFIFEST IFF!
Long before the beaches and resorts along the Polish coastline got devoured by the contemporary face of tourism, local small businesses used to be one of the main attractions in the area. One of them was the smoking chamber ‘U Mieci,’ famous for its top quality smoked fish. This year, we have a special treat for all those who not only miss that taste, but also the holiday vibrations of old. More »
Kilka stopni niżej
Kilka stopni niżej · dir. Mikołaj Walenczykowski
Poland 2007, 20’
This document focuses on a homeless man from Bydgoszcz, who fights with alcohol addiction, loneliness and poverty every day. Walenczykowski hadn’t choose this person accidentally. You can’t look at yourself only, have to look around — says the main character and it sounds too much optimistic as for person, whose life is a misery. There’s still a hope inside him.
| Director: | Mikołaj Walenczykowski |
| Cinematography: | Mikołaj Walenczykowski |
| Editing: | Mikołaj Walenczykowski |
Mikołaj Walenczykowski is a young-generation documentarist from Bydgoszcz who stared filmmaking very soon — as a teenager was accepted for first course. He started studies on Łódź Film School this year. Bydgoszcz is the main character of his documentaries and mini-studios, Divadlo is the most interesting one — about people working in Polish Theatre. Walenczykowski has an unique seans of observation — if he can follow the path of artists like Cusky or Sauter, he’ll be much more better than today.
